Trinity Music Theory | Grade 6

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Introduction to Trinity Grade 6 Music Theory Preview
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Double Dotted Notes Preview
Duplets Preview
Demisemiquaver (32nd) Triplets & Sextuplets
Hemiola
Swung Rhythm

Major Keys (Sharp Keys)
Minor Keys (Sharp Keys)
Major Keys (Flat Keys)
Minor Keys (Flat Keys)
Close Keys
Aeolian Mode
Pentatonic Minor Scales
The Blues Scale

Transposing a Key Signature
Transposing into/out of Concert Pitch

Chord VI (Submediant Triad)
Chord iii (Mediant Triad in Major Keys)
Chord III+ (Augmented Mediant in Minor Keys)
Chord III (Major Mediant in Minor Keys)
Chord vii-dim (Leading Note Triad)
Chord vii-dim7 (Diminished 7th)
Chord ♭VII (Unraised Leading Note Triad in Minor Keys)
Chord ii (Minor Supertonic in Minor Keys)
Chord ii7 and ii-dim7 (Supertonic 7th)
Chord Inversions
Working Out Chord Inversions

Figured Bass | Introduction
Figured Bass | 5/3 Root Position Chords
Figured Bass | 6/3 First Inversion Chords
Figured Bass | 6/4 Second Inversion Chords
Figured Bass | Accidentals

Chord Progressions "Rules" Preview
V-VI Progression
Interrupted Cadence
Progressions and Inversions
Progression of 5ths
Harmonic Sequence
Pedals

SATB | Voice Leading by Part
SATB | Leading Notes
SATB | Labelling Chords
SATB | Completing a Cadence
SATB | Transferring Short to Open Score

Homophonic and Polyphonic
Describing Texture
The Woodwind
The Strings
Changing the Mood

The Baroque Era
Ternary Form
The Baroque Suite
Air and Variations
The Chorale
The Folk Ballad

Grade 6 Composition Marking Criteria
Working with a Given Opening
Grade 6 Composition Walkthrough

Musical Terms

Grade 6 Practice Test

Congratulations! Ready for Grade 7?!